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was a pioneering shōjo manga artist who released her works in ''Shōjo Club'' and ''Margaret''.〔(【引用サイトリンク】title=What is the "Year 24 Group"? )〕 According to Matt Thorn, Nishitani "more or less single-handedly invented the school campus romance that remains the mainstay of shôjo manga today",〔(【引用サイトリンク】title=Mommy, the White Girl Is Scaring Me! )〕 and Robert Petersen regards her innovation as giving her characters personality. She gave her readers characters that were like them, "teenaged Japanese girls dealing with friendships, family, school, and, yes, falling in love."〔(【引用サイトリンク】title=The Multi-Faceted Universe of Shōjo Manga )〕 Her success inspired an influx of female manga artists.〔(【引用サイトリンク】title=An Introduction to Keiko Takemiya’s To Terra )〕 Her manga ''Mary Lou'' is thought to have opened up the idea of shōjo manga telling stories about ordinary teenagers.〔 ==Works== * (1964, Bessatsu Margaret) * (1965, Margaret) * (1966, Margaret) * (1967, Margaret) * (1967, Margaret) * (1967, Margaret) * (1968, Margaret) * (1969, Margaret) * (1971, Margaret) * (1971, Margaret) * (1972, Seventeen) * (1974, Margaret) * (1975, Shōjo Comic) * (1976, LaLa) * (1977, Hana to Yume) * (1977, Margaret) * (1978, Margaret) * (1980, Margaret) * (1980, Bu~Ke) * (1981, Margaret) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Yoshiko Nishitani」の詳細全文を読む スポンサード リンク
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